I tend to be a landscape photographer ... that means I'm a photographer of natural formations. Natural implies an absence of man and his artifacts and his lame attempts to tame the unruliness of that world. Anyone who's visited a national park or any wilderness area knows that it's almost impossible to erase the human influence. There's always garbage and scars and destruction no matter how far from 'civilization' you run. Surprisingly (or maybe not), the most visible impact is in the sky. I'm always having to deal with jet contrails ... the white lines left by the hot exhaust from jet engines at altitude. This is a major problem in the California parks due to the high traffic flowing into LA. Imagine how jarring that is ... a magnificent image marred by one or more basically straight lines drawn across the sky. And, they are surprisingly hard to remove. It's not like you can just erase them. Of course, both Photoshop and Lightroom have tools for removing unwanted features from an image but they can only do so much. Contrails, being large and obtrusive, often don't lend themselves to this type of surgery so one has to be creative. But it's extremely hard to deal with and getting worse. In Yosemite it's almost impossible to find shots that don't have some type of human artifact in them.
Crater Lake Storm
I was in Crater Lake for 4 days. Three of them brought rain and bad weather. I started feeling a bit waterlogged and then the snow came. But the old saying goes ... when life gives you lemons make lemonade ... and that's what I did. I'd watch the weather from my campsite and, if the sky started to clear, I'd drive the 7 miles to the crater's rim and hopefully find interesting and challenging views. Sometimes I'd not even get to the rim before the fog closed in and forced me to retreat. It's not a good idea to drive the twisting and somewhat dangerous roads leading to the crater when you can't see the road. But several evenings I was lucky and the sky gave me just enough clearance to let the late afternoon sun break through. Those were dramatic images.
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| Crater Lake Storm- 16mm(1.6 crop),f/18,HDR,ISO 100,license CC BY-NC 4.0 |
This image was very challenging. Not because of the weather but because of the jet contrails. The open area to the west was almost obliterated by contrails. There must have been a dozen or more. I'm not sure where those planes were going but flying in and around Crater Lake seemed to be on everyone's agenda. I was also forced to redo the entire process several times as there was an added problem with popcorn size noise coming out of Photomatix. I think it has problems with nearly saturated pixels and deciding how to show them in the final image. Whatever it decides, it doesn't work too well. So, to get around the issue I was forced to use Noiseware on the images going into Photomatix and on the HDR images coming out. This seems to knock the noise out but does some serious damage to the sharpness. I like my images sharp and it bothers me that I have to sacrifice even a bit because of this noise amplification coming out of Photomatix. I've sent them emails asking for help but they are silent so far. Fortunately, because Noiseware is so good at obliterating noise I was able to use very aggressive sharpening in Lightroom which brought back at least some of the definition. But I'm still looking for a solution to this problem.
Anyway, once I had the panorama I went to work with Lightroom's content aware fill to see how much of the contrail mess I could fix. It took a while and a lot of retries but I think I did a pretty good job overall. There's a bit of fluff left over but it looks natural enough that I just left it. Hopefully it doesn't do too much damage to the final image. I'll let you be the judge.
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