Getting those Amazing Shots...
I get the most horrified looks sometimes when I set up my rig to take these amazing panoramas. As I edge closer and closer to the abyss people's eyes start to get larger and their facial expressions are of genuine fear. "You're going there?" they often ask as I carry my camera and tripod across the rocks and stand at the edge looking down into a 1000 foot drop. "It's what I do!" is my usual answer but that does little to assuage their fears. "I'd never do that" has rung in my ears more often than I can remember. But, to get the really spectacular images one has to take chances ... to go where no one has gone before. Otherwise it's just another photo like thousands (or sometimes millions) that came before and will come after. That's not me ... not even close to me. I want to bring home something unique so I go to the edge. Not that I'm careless ... I'm very careful and respectful as I approach the edge. I make sure, when possible, that the space is cleared of stray rocks and loose dirt and I never stand up or play around. I'm almost always on my knees and keep my weight leaning backwards. I often hook my tablet to the camera so I can view the sensor output from a safe distance and make adjustments without having to lean out over the edge as I rotate the camera to the extreme angles. I always hold the tripod to make sure the camera is stable and I'm not forced to grab the gear in case it starts to fall. I try to be a careful as I possible can be and, so far, that's been enough.
To give you an idea of my typical vantage point, look at the picture below. It's from the Grand Canyon and shows my tripod at the edge. One inch further and there's a long drop to the valley below. But also note that the tripod is not fully extended so I can stay low. This is for safety and also because it allows me to position the camera closer to the edge and thus to shoot more vertically as I sweep the camera through the angles for the panorama. If you look at my last post, from Horseshoe Bend, the bottom center of the image looks straight down. The camera was positioned on a very small ledge of rock jutting out into the canyon. There's no other way to get that kind of photo except by being right there on the edge. Although it looks dangerous, in most situations, it's not ... if one is very careful and aware.
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On the Edge at Grand Canyon |
Grand Canyon North Rim Sunset
As an example of what I discussed above, this is an image taken on the north rim of the Grand Canyon. Take the road from the hotel, turn right at the fork and go as far as you can. Don't let the burn area discourage you although it's interesting in it's own right. Lots of dead trees. Just keep going until you can't go anymore. There's a large overlook just beyond the parking lot and a picnic area (designated as a place for large parties ... weddings, birthdays ... can you imagine having a wedding where a drunken guest could just walk off the edge? Scary thought for sure). The vantage point is just beyond this picnic grove and places you 1000 feet above the valley floor. It was an interesting day ... I'd seen heavy rain earlier which was a blessing as it washed away some of the junk that was obscuring the canyon. I hung around the parking lot for most of the afternoon and wandered out to this location just before sundown. I always like to get there an hour or so before the main event as it gives me time to scout the location and to get in the correct mindset. I got one of those questions from a young couple sitting a respectful distance from the edge and gave them one of my pat answers. I think they were more than a bit disturbed because they soon stood and wandered away. Guess the thought of watching someone stumble over the edge didn't sit well with them. Oh well.
As the sun sets, I start my cycle. Camera in portrait orientation and my 16-35 f/4 set to 16 mm for maximum coverage. F-stop is usually set at f/18 for maximum depth of field (I don't worry about diffraction too much ... depth of field is most important). Camera set to make a bracketed series (3-5 images per set). Shoot, rotate camera so I get at least 1/3 coverage between adjacent groupings (have screen set with 1/3 grid so I can easily judge rotation), then shoot again. When I complete the first sweep, adjust camera angle down until I can see bottom of canyon in view screen, go back to the starting angle and repeat the series. I usually get between 60 and 90 photos before I'm done. And sometimes I'll do this multiple times if I think the sunset is getting better. I usually stop when the bracketed shots are hitting the 30 second wall meaning I'm out of time and the sequence is no longer accurate. This is always well after sundown and I'm shooting the orange halo and often seeing the earth's shadow to the east (you see it in this photo as the bluish ting just above the horizon on the left side). I then use my standard technique of Photomatix to combine the brackets and then into Photoshop to create the panorama followed by Lightroom for cropping and final color adjustments. And the result ... breathtaking as always.
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Grand Canyon North Rim - 16mm(1.6 crop),f/18,HDR,ISO 100,license CC BY-NC 4.0 |